Scenes From the Climate Era – Q Theatre: August 2-24, 2024 (13th Floor Theatre Review)

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Scenes From The Climate Era delivered a series of scenarios from past, present and future —short conversations ranging from scientists in Antarctica, at a bioengineering think tank, about alternative ways to cool the planet, ethically deciding to have children, maintaining community during devastating circumstances. It dives deeply into serious and thought-provoking topics but balances its intensity with moments of much-needed comedic relief.

We can laugh even during an unfolding disaster.

Directed by Jason Te Kare, written by David Finnigan, it was presented at Q Theatre by Auckland Theatre Company and Silo Theatre. The theatre was cleverly set by Jane Hakaraia, Nati Pereira, and Leon Radojkovic with a stunning simplistic stage, that became a powerful and well-utilised character. The lighting was brilliantly done. The entrance to the start of the show was dramatic and, for scene transitions in the first half had a somewhat Survivor TV-show type of music.

The transitions were often sudden, the cast quickly and seamlessly switching into new characters. A small cast of only five performers (Dawn Cheong, Nī Dekkers-Reihana, Arlo Green, Sean Rivera, and Amanda Tito) all gave strong performances. Each actor showcased their own range, with impressive accents, switching into their new characters at a moment’s notice.  It was artfully done.

The costumes too were straightforward yet ingeniously designed to facilitate quick character transformations. A simple zip-up sweater effortlessly changed Arlo Green from a Silicon Valley/TED Talk presenter to a Scottish activist experiencing a mental breakdown. (This gives you some idea of the scale of change!) Similarly, Amanda Tito’s loose flannel shifted her role from an unwilling town hall participant to a grief-stricken mother, creating a captivating transformation on stage.

In this spotlight scene, we see Dawn Cheong and Sean Rivera grappling with the complex ethics of media and activism. A nervous scientist preparing to appear on television for the first time has conversation with a producer, who gives notes on presenting crucial information to the public. This scene touches a core, with highlighting the tension between presenting facts honestly and maintaining public calm.

This raises questions about whether media professionals should prioritise full transparency or consider the emotional impact on viewers — and how this can fuel radical activism, portrayed by Nī Dekkers-Reihana. Their actions, such as property damage to protest political and corporate failures, challenge conventional methods of encouragement. This introduces the ethical dilemma of using illegal means for a perceived greater good. In such a short scene, it examines the boundaries of acceptable protest and whether extreme actions are justifiable in the face of systemic problems. While the sole propose is to draw attention to the empty political promises, and big corporations fuelling the climate crisis and the interplay between public outrage and systemic change. This overarching theme was reflected throughout the performances, shaping its tone and message.

When it comes to the facts on climate change, should we be in despair or be enraged?  Can we even afford to be in despair; is the rage misplaced? This show will open a range of conversations beautifully displayed by this talented cast. The play delves into the fate of our planet, presenting a vision of the future that underscores the urgency of preventing these dire predictions. While it may leave you with anxiety, it aims to inspire a strong desire for positive change.

Xoxo Miss Peach

Scenes From the Climate is at Q Theatre until 24 August.

Tickets and more info here.

 

Miss Peach
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