Album Review: Angie McMahon – Salt (Dualtone)
It’s not just the voice, but the overall intimacy of the songs and the recording that causes Angie McMahon’s debut album, Salt, to grab the listener’s attention.
Marty Duda
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Posts by The 13th Floor :
DVD Review: The Rolling Stones Rock And Roll Circus (Deluxe Edition)
More than 50 years after it was recorded and almost 25 years after it was first released, The Rolling Stones infamous Rock And Roll Circus gets the deluxe treatment.
Watch: Pikachunes at The 13th Floor
Pikachunes is Christchurch-based musician Miles McDougall, aka Miles G. Loveless.
Track By Track: Lake South Takes Us To Wellington
Wellington singer-songwriter Lake South has just released his second album titled Wellington/Te Upoko O Te Ika.
NZIFF 51 Film Review: Herbs: Songs Of Freedom
The New Zealand International Film Festival featured World Premiere screening of Herbs: Songs Of Freedom as its closing night film at Auckland’s Civic Theatre. But the event was more than a film screening; it was a joyous celebration of a band that changed the New Zealand scene forever.
Concert Review: Miss June – Whammy Bar August 2, 2019
As a precursor to their upcoming album release show at Galatos, Miss June gave the sold out crowd at Whammy a good look at what to expect on Bad Luck Party.
Interview: Postmodern Jukebox’s Aubrey Logan Is A Triple Threat
She sings, she write songs and…she plays the trombone! Is there nothing Aubrey Logan can’t do?
NZIFF 51: Watch Thom Zimny Talk About Johnny Cash & Bruce Springsteen at 13th Floor
Acclaimed music documentary director Thom Zimny stopped by The 13th Floor to discuss his new film, The Gift: The Journey Of Johnny Cash, with Marty Duda.
NZIFF 51: Marianne & Leonard: Words Of Love Director: Nick Broomfield
Get out your hankies! If you’re not wiping away at least a few tears at the end of this meditation on the relationship between Leonard Cohen and his “muse” Marianne Ihlen, then I would serious question your humanity.
NZIFF 51: Under The Silver Lake Director: David Robert Mitchell
David Robert Mitchell’s “comedic neo-noir mystery” is either a completely bonkers mess of a film, or a work of pure genius. Having sat through all 139 minutes of it, I’d say it is a bit of both.