Concert Review: Larkin Poe – Tuning Fork April 26, 2019
Blues blasting sisters Rebecca and Megan Lovell, aka Larkin Poe, made their New Zealand performance debut to a sold out audience at Auckland’s Tuning Fork.
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Interview: Hugh Cornwell – It’s Amazing What We Got Away With!
We talked to former Stranglers front man Hugh Cornwell about his upcoming Monster Tour of New Zealand with dates in Christchurch, Wellington and Auckland. He’s playing at The Powerstation this Friday night! Ticket sales click here.
Watch: The Chills’ Martin Phillipps & Film Director Julia Parnell Discuss The Triumph & Tragedy Of Martin Phillipps
Chills bandleader Martin Phillipps and film director Julia Parnell stopped in to The 13th Floor recently to talk to Marty Duda about the making of the documentary The Chills: The Triumph & Tragedy Of Martin Phillipps.
Album Review: Aldous Harding – Designer (Flying Nun)
Its album number three from Aldous Harding. What has she got in store for us this time?
Concert Review: Shakey Graves – Powerstation April 24, 2019
Alejandro Rose-Garcia, aka Shakey Graves, has made the move from the Tuning Fork to the Powerstation, and his very vocal fans have followed him there.
Concert Review: Norah Jones – ASB Theatre April 23, 2019
Norah Jones and her band played to a sold out audience at Auckland’s ASB Theatre, treating them to a performance full of style and grace.
Album Review: Glen Hansard – This Wild Willing (Anti-)
The man behind The Frames and The Swell Season delivers, what turns out to be, a “difficult” fourth solo album.
Album Review: John Paul White – The Hurting Kind (Single Lock)
You probably know John Paul White as one half of late, lamented The Civil Wars. But, with the release of his third solo album, you should reacquaint yourself with this fine singer-songwriter.
Interview: Mike Garson – David Bowie’s Pianist Speaks to The 13th Floor: “It could have gone very sour!”
David Bowie is no longer with us, but many of the incredible musicians who played with him are.
Album Review: Norah Jones – Begin Again (Blue Note)
Seventeen years after her breakthrough debut album, Come Away With Me, Norah Jones still seems intent on distancing herself from the sound that made her a household name.