The Transits – Bleed Hope (13th Floor Album Review)
The Transits return with Bleed Hope, an album that opens at full tilt and rarely lets the listener come up for air across the punchy, pop-punk and rock of its fifteen tracks.
John Bradbury
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Troy Kingi – Night Lords (AAA) (13th Floor Album Review)
Troy Kingi’s Night Lords opens like a city after midnight, humming with danger, memory and movement.
The Others Way Festival – 13th Floor Review #1: November 29, 2025
The 13th Floor’s John Bradbury files his report after last night’s Others Way Festival. Photos by Chris Warne & Philip Chignell.
Hoop — Wrap Me Up in Winter (13th Floor Album Review)
Hoop’s Wrap Me Up in Winter is a quietly resonant mini-album that offers warmth, intimacy and a clear social conscience.
The Bros. Landreth – Dog Ear (Birthday Cake) (13th Floor Album Review)
On Dog Ear, The Bros. Landreth continue their growth from a technically gifted roots outfit into something warmer, wider and more generous.
The Avett Brothers & Mike Patton — AVTT/PTTN (Thirty Tigers) (13th Floor Album Review)
Some collaborations feel engineered. Some feel accidental. AVTT/PTTN by The Avett Brothers & Mike Patton feels like a doorway opening between two worlds that never expected to meet. It is the kind of project that sounds improbable until you hear it, and then it feels strangely inevitable.
Oasis – Accor Stadium, Sydney: November 8, 2025 (13th Floor Concert Review)
13th Floor’s John Bradbury made the trip to Sydney to see the reunited Oasis. Here is his report:
Sorry – Cosplay (Domino) (13th Floor Album Review)
Sorry’s third album Cosplay feels like the moment they stop trying to explain themselves.
Theia — Girl, In A Savage World (13th Floor Album Review)
Theia doesn’t ease you in. Girl, In A Savage World opens with drone, breath, water and chant, and you feel as if you are entering a ceremony.
Helium Project – Rino Tangi (Steel that Sings) (13th Floor EP Review)
On Rino Tangi (Steel that Sings), Tāmaki Makaurau’s Helium Project transform Gary Hunt’s hand-forged percussion sculptures, created by the former punk drummer, into instruments that gleam, sigh and resonate with a musicality that is central to the project’s warmth.
