The Waterboys Present: Rips From the Cutting Room Floor (Sun) (13th Floor Album Review)
With Rips From the Cutting Room Floor, The Waterboys push their long-gestating Dennis Hopper project into its widest frame yet.
With Rips From the Cutting Room Floor, The Waterboys push their long-gestating Dennis Hopper project into its widest frame yet.
The Transits return with Bleed Hope, an album that opens at full tilt and rarely lets the listener come up for air across the punchy, pop-punk and rock of its fifteen tracks.
Troy Kingi’s Night Lords opens like a city after midnight, humming with danger, memory and movement.
The 13th Floor’s John Bradbury files his report after last night’s Others Way Festival. Photos by Chris Warne & Philip Chignell.
Hoop’s Wrap Me Up in Winter is a quietly resonant mini-album that offers warmth, intimacy and a clear social conscience.
On Dog Ear, The Bros. Landreth continue their growth from a technically gifted roots outfit into something warmer, wider and more generous.
Some collaborations feel engineered. Some feel accidental. AVTT/PTTN by The Avett Brothers & Mike Patton feels like a doorway opening between two worlds that never expected to meet. It is the kind of project that sounds improbable until you hear it, and then it feels strangely inevitable.
13th Floor’s John Bradbury made the trip to Sydney to see the reunited Oasis. Here is his report:
Sorry’s third album Cosplay feels like the moment they stop trying to explain themselves.
Theia doesn’t ease you in. Girl, In A Savage World opens with drone, breath, water and chant, and you feel as if you are entering a ceremony.