NZIFF 51 – Film Review: The Art of Self-Defense
The Art of Self-Defense is the second feature film by U.S. director, Riley Stearns, a pitch-black deadpan comedy that offers a deeply unsettling examination of modern masculinity and identity.
The Art of Self-Defense is the second feature film by U.S. director, Riley Stearns, a pitch-black deadpan comedy that offers a deeply unsettling examination of modern masculinity and identity.
Knife+Heart (Un couteau dans le cœur) is a gloriously taboo French thriller from director Yann Gonzalez, which combines aspects of erotic psychodrama and giallo cinema with a pulsating, dream-synth score from M83.
The Streets performed their first-ever solo gig at Auckland Town Hall last night, transforming the stalls into an open dance area and delivering an unforgettable, once-in-a-lifetime performance.
Dermot Kennedy performed his first-ever New Zealand show at Powerstation last night. Despite self-proclaimed swollen vocal chords, the Irish musician proved he possesses a raw and immeasurable talent as a singer-songwriter.
Long Day’s Journey Into Night is a delicate and ethereal Chinese drama, set in and around the Southeast mainland city of Kaili. The film contains a simple, loose narrative structure and is essentially split into two parts: the melancholy and disorienting first half which bounces between flashbacks and present day, and the ambitious, dream-like second […]
Equal parts Lord of the Flies and Apocalypse Now, the visually stunning Alejando Landes film, Monos, portrays the harrowing dysfunction of a teenage guerrilla group charged with protecting a foreign prisoner of war. Oxford Lamoureaux reviews for The 13th Floor.
In 1998, French filmmaker Olivier Meyrou worked alongside Yves Saint-Laurent and Pierre Bergé, capturing the working dynamic of the pair in an intimate and often unsettling documentary. Two decades following completion of filming, and with its release suppressed by Bergé until 2015, Celebration is a raw depiction of a great artist in his twilight years. […]
Inspired by the Paris suburb riots of 2005, Les Misérables captures the cynicism, indifference, and desperate humanity of three anti-crime unit officers patrolling the streets of Paris, in a relentlessly tense and unsettling film by first-time feature director Ladj Ly. Oxford Lamoureaux reviews for The 13th Floor.
La Belle Époque seemed the perfect choice for opening night at the 51st New Zealand International Film Festival, delivering a remarkable ensemble cast and razor-sharp comedic writing to a packed and joyous Civic Theatre crowd.
James Blake performed to an Auckland crowd at Shed 10 last night for the first time in six years, delivering a wildly diverse set underpinned by a remarkably powerful and mature voice.