The Art Terrorists Wax Chattels transform the Whammy Bar into the Large Hadron Collider for an hour and bombard the audience until we’ve all had our synapses rearranged and minds suitably blown. In a great way.
Heart and Soul food for the mind with social commentary there in the back of the room. Morningside Philharmonic are Jason Herbert on guitar, leading the band tonight. Guy Harrison on keyboards and also a member of Latinaotearoa. The engine room is Cam Sangster on drums and Cam McArthur on electric bass.
Young four-piece band from Woodstock New York throw out a grenade of an album coming from the spiritual heart of the Los Angeles Punk scene of the Eighties.
At the 50-plus year mark of making parallel world Pop Art Prog Rock, the brothers Ron Mael and Russell Mael take us on a theatrical journey of music packed with humour and philosophy, most of which you can dance to and feel moved.
An inspiring set of original songs from jazz pianist Nick Dow played to a packed Wine Cellar. With stellar support by two young artists, Antony Jeffares and Marianne Wren, it was a solid showcase of great gifted Kiwi vocalists.
Harper Finn tells us in the middle of his uplifting Art Pop set tonight at the Tuning Fork. This may be the only live show in the world today. Sad reflection amongst a warm cheering audience.
Hard-working brothers Oli Leimbach and Louis Leimbach deliver a sparkling gem of an album with their own specially developed brand of Aussie Power Pop.
Two well regarded and highly productive musicians come together to deliver a debut album of theatrical and highly engaging Progressive Rock.
The Milk Carton Kids are a folk duo, hailing from Eagle Rock California, with a fast-growing reputation as highly regarded Roots Americana artists. Live from Lincoln Theatre was recorded in 2013, while on tour promoting their second album, Ash & Clay.
The Beths deliver a knock-out of a second album, Jump Rope Gazers, which seems destined to give them an international boost in these troubling times.
