Paul Kelly – Seventy (Universal) (13th Floor Album Review)
Paul Kelly’s latest album, Seventy, arrives amid whispers that it may be his last, capping a spectacular 50-year career. If this is his final statement, how does it stand as an epitaph?
Paul Kelly’s latest album, Seventy, arrives amid whispers that it may be his last, capping a spectacular 50-year career. If this is his final statement, how does it stand as an epitaph?
The Charlatans have returned with their 14th album, We Are Love, after an eight-year hiatus. The core question: Was it worth the wait?
2025 marks the 40th anniversary reissue of The Pogues’ seminal second album, Rum, Sodomy and the Lash. Four decades on, this record remains as vital, exhilarating, and essential as ever.
At the age of 71, blues and soul veteran Robert Finley delivers an implausible third-act masterpiece with Hallelujah! Don’t Let The Devil Fool Ya. Producer Dan Auerbach once more guides Finley, steering him through a swampy, righteous blend of gospel and deep blues.
Wilco off-shoot The Autumn Defense is about to release their long-awaited new album, Here and Nowhere. The 13th Floor’s Rob Jones has had an advance listen…
Upchuck’s third album, I’m Nice Now, is less an actual truce than a strategic, calculated feint. Frontwoman Kaila “KT” Thompson and the band haven’t shed their rage; they’re simply channeling it with greater focus.
Jeff Tweedy doesn’t need another write-up to “drum up listenership.” Throngs of devoted Wilco fans will simply lap up his latest solo triple album Twilight Override—a genuine fucking gem of a record, I should add—by word of its existence alone.