With their debut album Not So Sweet, causing a splash amongst those that know, Pearly* have product to pedal, and even though they are soon to be seen at The Other’s Way Festival at the end of the month.
The Ship// The Sea is Beastwars sixth album, as with previous offering, the artwork is once again by Nick Keeler, (a mighty image it is too) and the music produced by James Goldsmith and Nathan Hickey, who have handled members’ creative egos since 2016.
Cabinet are one of the three post covid metal bands that piqued my interest, as the live music scene revitalised.
As Bilders, Builders, and many other constructs, Bill Direen started (and continues) his journey aiming for the stars, a genesis of releases on Flying Nun, was followed by some self-released (South Indies), many on others local (onset-offset) and much on overseas labels (Grapefruit and Siltbreeze).
Jim White, a (drumming) force within the experimental music community, has, though his expansive musical endeavors have reached wide and afar, touching such groups as Cat Power, PJ Harvey, Nick Cave, Beth Orton and Ed Kuepper.
The Lemonheads, well Evan Dando, darling of the 90s alt-music scene, witty, romantic, and a notorious scallywag has hit the return key, as he delivers the first Lemonheads (proper) album in 19 years – Love Chant.
The 13th Floor’s Simon Coffey signs in with his take on the new album by The Bats.
O/PUS were a discovery when Andew Wilson (DIE! DIE! DIE!) debuted his solo act (AW) Tamaki Makaurau venue Cupid Bar back in 2024, there was joy to behold as O/PUS opened the evening up.
Pumpkinhead, the Otautahi, 90’s metal, punk nee grunge group, were a relatively short-lived affair, 1993 to 1996 (though there were the brief reunions in 2007, 2008 & 2021).
Billed as a no label / no venue arvo show to celebrate the release of Uniform’s Joan St High Tide 7”. Uniform were joined by PWits, AW and finally Cola.
