Meet Me at Dawn, by Zinnie Harris, directed by Kacie Stetson, Q Theatre 20-24 February
MEET ME AT DAWN messes with your mind. In a good way. It aims to cover a lot ground in its 65 minutes, and almost succeeds.
MEET ME AT DAWN messes with your mind. In a good way. It aims to cover a lot ground in its 65 minutes, and almost succeeds.
ROMEO & JULIET must be one of the world’s most well-known tropes. But not exactly a well-known play (spoiler alert: they both die in the end, you know). “Never was a tale of more woe than this of Juliet and her Romeo.” But before the woe we see young love, young hope, and great drama. […]
TWELFTH NIGHT brings the Pop-Up Globe’s rambunctious take on Shakespeare back to the heart of the city, and leaves the audience buzzing, if not bemused.
HYPERSPACE is a slick and joyous celebration of disco dance meets kapa haka, complete with a Shakespearean twist. It has it all. It touches your heart and digs deep. You are laughing but feeling a resounding truth. Something everybody knows — that looking good and moving your body is cool and fun and we are all […]
Tales Of An Urban Indian is definitely theatre with a difference. When writers say things like “the drama took me on a journey,” this time it’s meant literally.
CHAIRS! starts off like a long-lost episode of the The Twilight Zone, yet unfortunately doesn’t really know how to finish.
How to Throw a Chinese Funeral is an immigrant story that asks if the migrant can ever really go home. Told through the travails of one family’s three generations gathering for a funeral, it dives dangerously close to melodrama before emerging as a commentary on the enduring strength of family and women’s place in a […]
WAITING is a very personal solo show at Q Theatre, written and performed by actor and poet Shadon Meredith. It’s a one-hander, but it’s not a simple monologue. It’s been called beat poetry, but it’s not a poetry reading. It rejoices in rhythm and movement, but it’s not a dance. This is engaging, absorbing theatre. […]
ÉMILIE is an ambitious music-drama telling the tale, or trying to, of the woman who brought Isaac Newton’s Latin prose to the people, and so first popularised –and extended – his ground-breaking scientific achievements.
An Imposter is a song cycle and melodrama by Ron Gallipoli, at the Basement Theatre. It may begin as melodrama, but ends as something entirely more penetrating.