Merv Pinny – Hard Road (13th Floor Album Review)
On his debut full-length album Hard Road, Merv Pinny is laying down a road map of sorts.
On his debut full-length album Hard Road, Merv Pinny is laying down a road map of sorts.
Troy Kingi’s Night Lords opens like a city after midnight, humming with danger, memory and movement.
This posthumous release by Chris Bailey’s The Saints, was seven years in the making, started in 2018, but not completed until three years after his death.
The Londoner turned music making New Zealander, Tom Cunliffe, is releasing his fourth outing, titled Spit Out Your Gum. It’s a warm and intimate album, glittering with folk sound.
Hoop’s Wrap Me Up in Winter is a quietly resonant mini-album that offers warmth, intimacy and a clear social conscience.
Te Whanganui-a-Tara band Dropper release their debut album Be a Little Kinder. The Particle Recordings release sees the band show resilience through despair (and plenty of raw guitars and melody).
Power-pop supergroup The Salt Collective are due to release their sophomore album A Brief History of Blindness this week. With as many special guests on this release as there are tracks (if not more), you’ll hear collaborated guitar pop songs on here that might just give you a familiar taste of days come before.
On Dog Ear, The Bros. Landreth continue their growth from a technically gifted roots outfit into something warmer, wider and more generous.
Some collaborations feel engineered. Some feel accidental. AVTT/PTTN by The Avett Brothers & Mike Patton feels like a doorway opening between two worlds that never expected to meet. It is the kind of project that sounds improbable until you hear it, and then it feels strangely inevitable.
Legendary indie-rockers Pavement have made their way to the silver screen with the Alex Ross Perry directed experimental-musical-concert-biopic film Pavements. While the soundtrack has been floating around on streaming services for a few months, it is making its eventual release to LP and CD this Friday.