Irish experimental rock band Just Mustard have just released their third album WE WERE JUST HERE. The LP dances (with high energy) using a variety of different tones and overwhelming noises created by the band, creating an engaging listen.
Cabinet are one of the three post covid metal bands that piqued my interest, as the live music scene revitalised.
As Bilders, Builders, and many other constructs, Bill Direen started (and continues) his journey aiming for the stars, a genesis of releases on Flying Nun, was followed by some self-released (South Indies), many on others local (onset-offset) and much on overseas labels (Grapefruit and Siltbreeze).
On Great Barrier’s new album Repetition, the sea is restless, the heart is beating, and something elemental stirs beneath.
The Blasters pour the heart of Saturday night into every song on American Music, their vivacious 1980 debut, pressing against the corners of rockabilly, a genre that can easily be mistaken for a time capsule.
Of Monsters and Men’s fourth studio album is ripe with poetic imagery, vulnerable confessions and the complexities of intimacy.
Jim White, a (drumming) force within the experimental music community, has, though his expansive musical endeavors have reached wide and afar, touching such groups as Cat Power, PJ Harvey, Nick Cave, Beth Orton and Ed Kuepper.
Easier Said Than Done is the fourth album by Aussie rockers The Southern River Band. Recorded by Grammy-winning producer Nick Didia (Pearl Jam, Bruce Springsteen) in Byron earlier this year, the album slaps out a series of songs inspired by 70s Australian pub-rock.
Harrison Storm teamed up with Stockholm-based producer Freddy Alexander to create his sophomore album, Empty Garden.
The Lemonheads, well Evan Dando, darling of the 90s alt-music scene, witty, romantic, and a notorious scallywag has hit the return key, as he delivers the first Lemonheads (proper) album in 19 years – Love Chant.