Cocaine Bear – Director: Elizabeth Banks (Film Review)
Cocaine Bear is an action thriller with frequent hits of highly addictive comedy-horror that utilises its ‘80s backdrop and soundtrack to create a brilliantly hedonistic retro bloodfest.
Cocaine Bear is an action thriller with frequent hits of highly addictive comedy-horror that utilises its ‘80s backdrop and soundtrack to create a brilliantly hedonistic retro bloodfest.
Magic Mike’s Last Dance is a comedy-drama film by Steven Soderbergh that lacks both comedy and drama, while derivatively scraping the barrel of a franchise that lost its magic nearly a decade ago.
Knock at the Cabin is a psychological horror film by M. Night Shyamalan that unfortunately never utilises the impressive on-screen talent or thought-provoking terror of its original novel adaptation.
Tár is a psychological drama film by Todd Field that offers a laborious examination of power, control, and the spiraling effects of losing both when acquired through success in the spotlight of a modern, critical society.
Babylon seems like a tribute to Hollywood golden age. But is it a love letter to the movies from director Damien Chazelle or a ransom note?
M3GAN is an ultra-sharp and thought-provoking sci-fi horror film from director Gerard Johnstone, with outstanding performances and exceptional tension that build to an immensely terrifying and satisfying conclusion.
The Lost King is Richard III, but he was found in 2012 thanks to the exhaustive efforts of one Philippa Langley, or so the story goes.
Poker Face is the second feature directed by Russell Crowe who also wrote the screenplay and stars in this psychological thriller set in Sydney.
Halloween Ends, or does it? The latest and last(?) installation of the Halloween franchise that began way back in 1978 by John Carpenter and Debra Hill opens today.
Orphan: First Kill is a bland, psychological horror film and prequel to 2009’s Orphan that feels as stimulating and satisfying as eating melted vanilla ice cream with your fingers.