BB & The Bullets – High Tide (Dixiefrog Records) (13th Floor Album Review)
It’s no mean feat to put out a debut long player, but to do so through a well-respected overseas indie label has to be viewed as a triumph.
It’s no mean feat to put out a debut long player, but to do so through a well-respected overseas indie label has to be viewed as a triumph.
Sydney Minsky Sargeant, his debut solo album, Lunga, represents a sharp departure from the taut, electronic bite of his previous work as Working Men’s Club. Recorded over several years, it drifts between pastoral folk, ambient interludes, and occasional bursts of intensity. At its best, it offers a glimpse of Minsky Sargeant stripped back and vulnerable; […]
Sweeping, layered sound panoramas prevail on Traces, a collaboration between Rhian Sheehan and Arli Liberman. It’s all a wonderfully other-worldly journey: music to take us places beyond the usual.
Ivy is one of those bands whose beginnings may sound humble and ordinary, but whose debut album Hush, surges with scale and ambition.
Grant-Lee Phillips is a songwriter who moves between the intimate and the expansive. From the widescreen alt-rock of Grant Lee Buffalo to the quieter folk of his solo records, he places private anxieties within a larger frame of history, myth and politics. In the Hour of Dust, his twelfth solo album, continues in that spirit.
Leon Michels and his El Michels Affair are about to release 24 Hr Sports featuring appearances from Norah Jones, Shintaro Sakamoto, Florence Adooni, Rogê, and Dave Guy, as well as a prominent sample of the late Rahsaan Roland Kirk. Is it worth waiting for? Here is The 13th Floor’s Jeff Neems with an advance listen.
Dev Hynes, otherwise known as Blood Orange, has made an impressive comeback with his freshest album, Essex Honey. His fifth studio album, this might be one of his most moving releases yet – from a sonic and lyrical standpoint, it’s for the most part a chill, contemplative masterpiece that seduces listeners.
Adam Hattaway and the Haunters return with Hot Variety, a stripped-back, emotionally resonant collection that distills their genre-hopping journey from indie rock to country soul into one of their most immediate records yet.
Anna Tivel has always blurred the line between songwriting and poetry. With each record she refines her ability to draw whole worlds in her lyrical stories, finding light and sorrow in equal measure.
Big Thief… their Double Infinity is a record of continuity and rupture, intimacy and expansion. It feels like their most communal work, stitched together with the voices and playing of friends from the experimental, ambient, and folk underground, while also weaving the precise and universal into the lyric detail.