DOUBLE – A Darkfield Radio Experience

As COVID-19 continues to disrupt the arts industry across the globe, innovative UK company Darkfield are launching with their visionary new audio experience DOUBLE in NZ on Tuesday 1 September. DOUBLE will allow Kiwis to take part in a critically-acclaimed, chilling, and immersive encounter within their bubbles, regardless of the country’s COVID alert level status.

“…unsettling audio that turns your home into a sci-fi dystopia” ★★★★
The Guardian (on Double)

All you need is a mobile device, headphones – and a friend…

Audiences will sit opposite each other on either side of a kitchen table. Pairs of participants will be replicated in hundreds of rooms across Aotearoa, listening to a simultaneous broadcast over 20 minutes. There is only one rule: everyone has to be who they say they are.

DOUBLE is the first show from the Darkfield Radio branch, a ground-breaking new project which brings the company’s inventive audio centred shows to audiences at home. Internationally acclaimed, DOUBLE is the first ever audio-only experience to be part of the official selection for the Venice International Film Festival. Selected as part of the 2020 ‘Venice VR Expanded’ category, DOUBLE will be showcased worldwide, making history as the world adapts to cross-genre interactive events that can be accessed from anywhere.

Part of the magic of DOUBLE is the ability for Darkfield Radio to deliver a powerfully riveting experience with just a pair of regular headphones, a mobile phone, and a kitchen table, situating each audience member at the centre of an intense evolving narrative. Sitting at the intersections of technology and theatre, the hallmark of all Darkfield creations is the use of 360-degree binaural (3D) sound to manipulate the audience’s sense of reality, with the impressive design creating an atmosphere that perplexes the senses and casts doubt from inside your own house. Tapping into psychology and the very nature of the human condition, Darkfield works are able to transport their audiences – without needing to go anywhere.

“If you’ve never experienced one of Darkfield’s shows, absolutely go: it is technically astonishing, completely uncanny, and deeply unnerving. You start to question your own senses. You may start to feel a rising panic. It’s not for faint-hearted.”
The Independent (on Coma)

DOUBLE explores the Capgras delusion, a condition in which the sufferer is convinced that a loved one has been replaced by an exact replica with malign intentions. DOUBLE blurs the lines of what is real and what is imagined, following the themes of Darkfield’s previous shows which explored ideas around drug placebos, the multiverse and the unknown beyond the veil.

Darkfield’s three shipping container based shows – Séance, Coma, and Flight – have been critically acclaimed in every centre they have toured to, including winning a 2020 Adelaide Fringe Weekly Award (for Coma), all noted for their sensory storytelling and incredibly immersive sound design. Welcoming over 160,000 audience members worldwide with tours in the UK, USA, Australia and Mexico, including three sold-out Edinburgh Festival runs, Darkfield Radio was the logical next step for UK Creators David Rosenberg and Glen Neath. These web-based sonic interactions allow more people around the globe to experience the chilling magic of Darkfield’s creativity – including audiences in Aotearoa for the very first time.

DOUBLE opens Tuesday 1 September 2020.
Session times: Tues, Thurs, Fri and Sat at 8pm, 10pm and 11pm.
Tickets are available via the Darkfield website from Thursday 27 August 2020
Price: $10
www.darkfield.nz

Over-ear headphones are recommended for the best experience.
Recommended 15+, trigger warnings for domestic violence and Capgras Delusion

Watch the trailer here: https://www.youtube.com/watch?v=9zauDP_F0x0
High res images available via Dropbox

Brief bios:
REALSCAPE PRODUCTIONS are a Melbourne based theatre company that specialise in producing multi-sensory theatre and events, including the DARKFIELD Series and Mummy’s Milk, (winner BankSA Best Film & Digital and Interactive Award at Adelaide Fringe 2020), with another *haunting* production on the way. Spearheaded by Amy Johnson and Nathan Alexander, a dynamic duo that have been working to bring innovation to the industry, attracting audiences beyond the traditional theatre crowd.

DAVID ROSENBERG co-founded Shunt to pursue an interest in the role of an audience in theatrical productions and directed all their shows: The Ballad of Bobby Francois, Tennis Show, Dance Bear Dance, Tropicana, Amato Saltone, Money, The Architects and The Boy Who Climbed Out Of His Face. Working with Franke Requardt he conceived and co-directed The Roof, Electric Hotel and Motor Show, for which he used binaural sound recordings to allow the audience intimate access to distant spaces. David co-directed DeadClub – presented at The Place, and he is one of the team behind Wiretapper – an audio project hiding performance in public spaces.

GLEN NEATH has written novels, plays for radio, for the stage and non-theatre locations, performed by rehearsed and unrehearsed actors and by members of the public who are also the audience. Projects include Wedding, Free Show (bring money) and Die or Run with Hannah Ringham, Hide with Lizzie Clachan, Unpack with Neil Bennun and Hello for Dummies and Romcom with Ant Hampton. His radio plays for BBC Radio 4 include Listen Up, Six Impossible Things, Occupied, The Long Count and a two-part adaptation of The Arabian Nights. His debut novel, The Outgoing Man, launched Portobello Books in 2005 and was shortlisted for the Authors’ Club Best First Novel Award.