Babylon Dir: Damien Chazelle (Film Review)
Babylon seems like a tribute to Hollywood golden age. But is it a love letter to the movies from director Damien Chazelle or a ransom note?
M3GAN – Director Gerard Johnstone (Film Review)
M3GAN is an ultra-sharp and thought-provoking sci-fi horror film from director Gerard Johnstone, with outstanding performances and exceptional tension that build to an immensely terrifying and satisfying conclusion.
The Lost King – Dir: Stephen Frears (Film Review)
The Lost King is Richard III, but he was found in 2012 thanks to the exhaustive efforts of one Philippa Langley, or so the story goes.
Poker Face (Film Review) Dir: Russell Crowe
Poker Face is the second feature directed by Russell Crowe who also wrote the screenplay and stars in this psychological thriller set in Sydney.
Halloween Ends Dir: David Gordon Green (Film Review)
Halloween Ends, or does it? The latest and last(?) installation of the Halloween franchise that began way back in 1978 by John Carpenter and Debra Hill opens today.
Orphan: First Kill: Film Review Dir: William Brent Bell
Orphan: First Kill is a bland, psychological horror film and prequel to 2009’s Orphan that feels as stimulating and satisfying as eating melted vanilla ice cream with your fingers.
Bullet Train Dir: David Leitch (Film Review)
Bullet Train is an action-mystery film by David Leitch that blends uniquely entertaining storylines, gorgeous stylistic influences, and a potentially excellent cast into a rather bland result of style over substance.
The Quiet Girl – Director: Colm Bairéad (Film Review)
The Quiet Girl might just be what you need after experiencing the bombast of Baz’s Elvis or Thor’s Love And Thunder.
This Is GWAR – Dir: Scott Barber (Shudder)
This is GWAR is the best film and documentary ever made and ever will be made about the best band that has ever existed and ever will exist across the entire universe and multiverse, by director Scott Barber.
The Black Phone – Dir: Scott Derrickson (Film Review)
The Black Phone is a wonderfully crafted supernatural horror from director Scott Derrickson, with outstanding performances amplifying the intense dread and mystery on display.
Mad God – Dir Phil Tippett (Film Review – Shudder)
Mad God is a stop-motion animated horror film written, produced and directed by Phil Tippett, a film that captures the passion of an artist pouring 30 years of their life into an immensely masterful personal project.
Elvis: Dir Baz Luhrmann (13th Floor Film Review)
Elvis may not be the first attempt to tell the story of The King Of Rock & Roll, but is certainly the most ambitious and, with Luhrmann directing, most dazzling.
Revealer – Dir: Luke Boyce (Film Review – Shudder)
Revealer is a neon-filled sassy spookfest of a horror film by Luke Boyce, set in a seedy, rundown adult store in ‘80s Chicago that pairs together two unlikely survivors of the Apocalypse as they face interpersonal and otherworldly judgement.
Offseason Dir: Mickey Keating (Shudder Film Review)
Offseason is an eerie and unsettling cosmic horror film by writer and director Mickey Keating, elevated to excellence by Jocelin Donahue’s outstanding lead performance and a consistently well-executed tone of impending and inescapable dread.
Jurassic World Dominion Dir: Colin Trevorrow (Review)
Jurassic World Dominion is a testament to how Hollywood betrays its audience, where movies are marketed and validated by societal outrage or division and actors are only used to further a marketing agenda by a morally corrupt business model.
Top Gun : Maverick Dir: Joseph Kosinski (Film Review)
Top Gun : Maverick is an unapologetically entertaining action film with a dramatic and comedic heart, offering both a worthy sequel to the 1986 original from director Joseph Kosinski and one of the best cinematic experiences of the year so far.
The Innocents Dir: Eskil Vogt (Film Review)
The Innocents (De Uskyldige) is a serene and spooky supernatural film by director, Eskil Vogt, that examines the loss of childhood innocence through a surprisingly grounded portrayal of Norwegian children developing superpowers.
The Northman: Dir Robert Eggers (Film Review)
The Northman is brutal, unrelenting, and visually magnificent, drawing from the dark tragedies of Scandinavian legend to create a modern masterpiece under the guidance of visionary director, Robert Eggers.
Everything Everywhere All At Once (Film Review)
Everything Everywhere All At Once is exactly that. Prepare yourself for a mind-blowing 139 minutes of sensory overload in what will be one of the most memorable cinema experiences of this or any year.
Ambulance Dir: Michael Bay (Film Review)
Ambulance is director Michael Bay’s attempt to make a “small, character-driven film”. On that score, he failed fabulously. But Bay being Bay, there are enough car crashes, explosions and gunfights to make up for its lack of character.