Legendary indie-rockers Pavement have made their way to the silver screen with the Alex Ross Perry directed experimental-musical-concert-biopic film Pavements. While the soundtrack has been floating around on streaming services for a few months, it is making its eventual release to LP and CD this Friday.
The Saints ’73–’78 is an initiative driven by Ed Kuepper, focusing on the first three albums and debuting in Australia in November 2024.
Unfiltered, Explosive, Political, Punk. Dick Move’s latest album Dream, Believe, Achieve, is a giant fuck you to the current political climate in Aotearoa and beyond.
Sabine McCalla released her debut album Don’t Call Me Baby last week. Released on the independent US label Gar Hole Records, the LP is a remarkable statement of multi-genre American roots music.
The Ship// The Sea is Beastwars sixth album, as with previous offering, the artwork is once again by Nick Keeler, (a mighty image it is too) and the music produced by James Goldsmith and Nathan Hickey, who have handled members’ creative egos since 2016.
Paul Kelly’s latest album, Seventy, arrives amid whispers that it may be his last, capping a spectacular 50-year career. If this is his final statement, how does it stand as an epitaph?
Portugal. The Man are throwing their latest eclectic offering SHISH out into the world this Friday. The Grammy winning band, consisting of just two primary members, are back to their independent roots after their departure from Atlantic Records.
If an album of music is a journey, then Sam Cullen’s self-titled debut album is a journey back in time.
Sorry’s third album Cosplay feels like the moment they stop trying to explain themselves.
Theia doesn’t ease you in. Girl, In A Savage World opens with drone, breath, water and chant, and you feel as if you are entering a ceremony.