Bright Eyes’ playful companion to 2024’s Five Dice, All Threes is further evidence of Conor Oberst finding rejuvenation through collaboration. Kids Table, seven songs and a minor soundscape that are mostly leftovers from the last album, is a spirited EP punctuated by some stirring team-ups.
Durand Jones & The Indications distil soul traditions into a sound that is timeless, tender, and deeply felt. On Flowers, their most emotionally open work yet, the DIY spirit of their self-titled debut, the lush protest-soul of American Love Call, and the satin sheen of Private Space have evolved into a gentle and assured power.
Few artists have navigated the intersection of grief, nostalgia, and reinvention as deftly as Michelle Zauner. As the creative force behind Japanese Breakfast, she has built a discography defined by emotional depth, sonic ambition, and cinematic quality.
Cassandra Jenkins is back with her third long player, a collection of meditations on life’s rich pageant titled My Light, My Destroyer.
Marlon Williams covers Bill Fay’s After The Revolution in anticipation of Dead Oceans’ reissue of Bill Fay’s Tomorrow Tomorrow and Tomorrow.
Toro y Moi shares his playfully electric new single The Loop, the third track from his forthcoming album MAHAL, due to release on April 29th via Dead Oceans.
It’s been a reasonable three years since Marlon Williams’ self-titled debut, but the Lyttelton songwriter’s follow-up shows a startling growth, expansion, and simply put – improvement. Make Way For Love is a gorgeous exploration of separation and heartbreak that sees Williams’ besting his past work lyrically, musically, vocally and emotionally.