The Blow Monkeys – Listen To The Birdsong: 13th Floor MusicTalk Interview
Formed in 1981, The Blow Monkeys are still going strong, releasing their new album, Birdsong on a new label founded by Alan McGee.
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Rise Against -Planting Seeds With Ricochet: 13th Floor MusicTalk Interview
Chicago rockers Rise Against have just released Ricochet, their first new album in four long years.
T. Hardy Morris – Artificial Tears and Real Emotion: 13th Floor MusicTalk Interview
T. Hardy Morris has just released his new solo record, Artificial Tears, twelve original songs crafted and collaborated with My Morning Jacket’s Carl Broemel in Nashville.
Butter Wouldn’t Melt…But The Roots Grow Deep: 13th Floor MusicTalk Interview
Wellington’s Butter Wouldn’t Melt has grown from a duo to a quartet and they have a new album, Where The Roots Grow Deep, to prove it.
Hannah Virk Is Checking Her Pocket Clocks: 13th Floor MusicTalk Interview
Wellington-based artist Hannah Virk releases her second album, Pocket Clocks, today and we’ve got questions!
The Response Has A Novel Idea: 13th Floor New Song Of The Day
Christchurch electro-pop duo The Response have just released their new album, Novel Idea…this after collaborating with Goodshirt’s Rodney Fisher.
Gordi’s New Album Is Like Plasticine: 13th Floor MusicTalk Interview
Australian indie artist Gordi is about to release her third studio album, a John Congleton-produced affair titled Like Plasticine.
Don and The Divorcees – Bit Players Brought Together: 13th Floor MusicTalk Interview
Don and The Divorcees are a Wellington-based folk trio who have just released their debut album, Bit Players.
Travis Roberts Picks His Rebel Rose: 13th Floor MusicTalk Interview
Texas-raised country-rocker Travis Roberts has just released his debut album, Rebel Rose, on the New West label and we found him just as the record was about to “drop”.
Chris Stamey Still Believes Anything Is Possible – 13th Floor MusicTalk Interview
Chris Stamey, the former dB, has just released Anything Is Possible, a collection of new songs, and one cover, inspired by the golden age of Top 40 radio.