Sulfate Godzone (Flying Nun Records): Album Review
Sulfate has deliver an album of dark themes for troubled times. The album also has a heart of majesty – seductive more than openly confrontational.
Sulfate has deliver an album of dark themes for troubled times. The album also has a heart of majesty – seductive more than openly confrontational.
Steve Gunn has released a steady stream of high quality guitar based albums over the last decade and his latest release, Other You, is his sixth and his best yet.
Tidal Rave, Wellington Indie Pop outfit, drop a very interesting sophomore album that pushes many of the buttons from around the time of the Punk Explosion. Like the stars you see at night, the actual physical elements have long gone but the light continues on. What Pete Townshend really meant when he sang Hope I […]
Chvrches fourth album, Screen Violence, recaptures the distinctive indie-electronica of their first two albums after a disappointing third album, where they went went for a more mainstream pop sound.
Troy Kingi continues to evolve and mutate as he reaches album five of his Ten Discs in Ten Genres in Ten Years musical odyssey.
A Place to Bury Strangers drop a highly enjoyable and easily accessible EP Hologram on us. New York City noise merchants deliver great atmospheric Indie Pop as everything rises up like a slow-building tsunami to wash over us all.
Wanda Jackson presents her final, Wild Gift of Rock’n’Roll. Encore is her farewell album.
James McMurtry is back after a seven-year break with an album as strong as anything he’s done. It’s The Horses and The Hounds.
The themes of Let the Night In, the second album, by Kendall Elise are big and universal but the stories in Elise’s lyrics are personal and specific. Musically it moves between intimate acoustic folk, confessional country and blues and upbeat pop and rockabilly whilst always maintaining a consistent sound. Elise’s vocals are powerful, and reflect […]
Age Pryor releases a new collection that feels like music made Level 4 lockdown: reflective, hopeful and ultimately uplifting. His first solo album in 14 years, Invisible Lines offers superbly delicate vocal tracks and a rich range of influences: alt folk, jazz and pure pop. And even a little rap.