Johnny Delaware – Para Llevar (Normaltown/New West) (13th Floor Album Review)
At a time of year when big, year-end releases are scrambling for your attention comes a small, but perfectly-formed album from one Johnny Delaware.
At a time of year when big, year-end releases are scrambling for your attention comes a small, but perfectly-formed album from one Johnny Delaware.
Talk Talk is a band whose reputation has grown exponentially over the past 30 years thanks in part to the genre-busting album Spirit Of Eden and the tragic death of main-man Mark Hollis in 2019.
This is a diverse and utterly elevating collection from Moana & The Tribe. Moana Maniapoto is the kuini/queen of creating joyous sounds in a landscape of struggle for indigenous voice and inclusion. In this collection, ONO offers six richly-layered and sonically engaging collaborations that are a tacit encouragement to learn more about the traditions they […]
After 16 years, The Cure finally release their 14th studio album. Songs Of A Lost World finds Robert Smith contemplating death, loneliness, aging and alienation. So what’s new?
With the recent death of Phil Lesh, bassist for The Grateful Dead and a 50th Anniversary deluxe edition of their album, From The Mars Hotel just released, I reluctantly revisit the Dead.
Patterns in Repeat is the eighth album from Laura Marling, following her 2008 debut, Alas, I Cannot Swim. From the outset, her poetic lyrics, distinctive voice, and folk-inspired sound have drawn comparisons to Joni Mitchell and Leonard Cohen. Over the years, her sound has evolved, blending complex and, at times, dark folk with experimental touches, […]
Since first gaining recognition as part of the English folk rock group Fairport Convention in the 1960s, Iain Matthews has had a varied career, releasing numerous albums that blend folk, country, and pop influences. Now living in the Netherlands, Matthews continues to perform but keeps a relatively low profile. His new album, How Much Is […]
The dictionary says someone mousy is ‘shy, timid, quiet’. But, as this Mousey (Sarena Close) has revealed, there’s more to the name. It references the girl in the opening lines of Bowie’s Life on Mars. And here in her third long-player, Dreams of Our Mothers’ Mothers! there are ch-ch-ch- changes for one of the most […]
In 2014, Shihad released FVEY, a raging record addressing social justice issues that were deeply etched in its loud tracks. Now, right on a decade later, front man Jon Toogood offers a very different, and solo, song cycle.
Dawes has long been celebrated for their ability to weave timeless Americana with modern experimentation—a skill they continue to refine on their ninth studio album, Oh Brother.