Chvrches – Screen Violence (Liberator Music)
Chvrches fourth album, Screen Violence, recaptures the distinctive indie-electronica of their first two albums after a disappointing third album, where they went went for a more mainstream pop sound.
Chvrches fourth album, Screen Violence, recaptures the distinctive indie-electronica of their first two albums after a disappointing third album, where they went went for a more mainstream pop sound.
Troy Kingi continues to evolve and mutate as he reaches album five of his Ten Discs in Ten Genres in Ten Years musical odyssey.
A Place to Bury Strangers drop a highly enjoyable and easily accessible EP Hologram on us. New York City noise merchants deliver great atmospheric Indie Pop as everything rises up like a slow-building tsunami to wash over us all.
Wanda Jackson presents her final, Wild Gift of Rock’n’Roll. Encore is her farewell album.
James McMurtry is back after a seven-year break with an album as strong as anything he’s done. It’s The Horses and The Hounds.
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Age Pryor releases a new collection that feels like music made Level 4 lockdown: reflective, hopeful and ultimately uplifting. His first solo album in 14 years, Invisible Lines offers superbly delicate vocal tracks and a rich range of influences: alt folk, jazz and pure pop. And even a little rap.
Sierra Ferrell’s Long Time Coming has, indeed, be a long time coming. So, was it worth the wait?
Lorde delivers Solar Power, four years after her Melodrama. We take a first listen and are impressed.
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