Give me sandworms, or give me death. About 25 minutes into the screening for Dune: Part Two, I leaned over to the person next to me and whispered “Maybe it’s a slow burn for a good second half” and, even as the words came out of my mouth, I felt the hollow drop of hopelessness […]
Drive-Away Dolls proves one Coen brother is better than none, especially when Ethan teams up with writer/producer/wife Tricia Cooke for this hilarious road movie.
The Zone Of Interest is the Oscar nominated Holocaust Film from master filmmaker Jonathan Glazer that is daring but ultimately underwhelming.
How to Have Sex, the assured debut feature by British director Molly Manning Walker has a candy-coloured aesthetic. Its exterior shell, desperate hedonism, and fluorescent lights conceal what is a deeply upsetting film.
Sofia Coppola‘s stylish portrait of Priscilla is a frustrating shadow of the director’s best.
In an era of middling biopics (Napoleon, Maestro, Air), The Iron Claw is a suplex right to the heart. Zac Efron astonishes in an emotional wrestling melodrama.
Perfect Days is Wim Wender‘s minimalist Tokyo set drama is a sweet rumination on the small joys of life.
Jason Statham is on a roll with The Beekeeper clocking in as his fifth film in a year. The Beekeeper finds Jason in one of his most preposterous and entertaining films yet.
The Boy and The Heron (Japanese : 君たちはどう生きるか) is the latest film from Studio Ghibli – it evokes an ecstasy of spirit, fantasy and connection.
Napoleon is a 2023 epic historical drama film by Ridley Scott that presents an evocative portrait of Napoleon’s ambition, desire, and the irrevocable cost of his unfulfilled yearning for his one true love, Joséphine.